BERHAMPUR: Even in this era of television, good plays can drag audience out of their drawing rooms to auditorium. The second State-level drama festival organised in the city proved it.
This week-long drama festival concluded on November 15 evening. All the seven plays enacted during the festival had packed house at its venue the Ganjam Kala Parishad auditorium. It was a non-competitive drama festival where prominent amateur theatre groups from different parts of the State enacted their best plays, which have won accolades in national level theatre festivals. Some of these plays were decades old and part of development of amateur theatre in Orissa.
Despite the odds like acoustics lacking and bad ventilation in the auditorium, audience filled it up every evening. Veteran theatre activist, Raju Padhi said the welcome sign was that more than 50 per cent of the audience was general public having no relation with stage activities. They had come over only to enjoy the plays. “They enjoyed the plays till the end which hints that despite speculations the live attraction for live theatre would continue in the minds of general public”, he said.
Swagatika Padhi, who came over to see three plays in this drama fest said one of the major reason behind its success was the professional management of the organisers. Usually the enactment of plays precedes elongated boring meetings comprising of long speeches. It delays the beginning of enactment of play. But in this drama festival the enactment of plays started sharp at 7.30 p.m. The meetings that preceded, were short and were attended by prominent personalities related to stage and cinema.
The variety of theme and format of plays was a major draw for the audience. The first two plays ‘Jeeara’ and ‘Baunsa Thenga re Swadhinata’ enacted by ‘Ka Kha Ga’ of Damanjodi and ‘Kala Parishad’ of Dhenkanal were plays based on human formations on stage. ‘Emiti bi Dine’ enacted by ‘Canmas’ of Paradip and ‘Kurukhyetra ra Thikana’ of Tulasi Cultural Association of Kendrapara were based on burning contemporary issues. The play of Casmas dealt with the topic of female foeticide and depicted a time when there would be dearth of women in the country. The other play was based on the corruption that continues in the name of social service. On Saturday a famous folklore of Orissa came alive in the play ‘Ati Achambita Katha’ enacted by three decades old organisation, Manan of Bhubaneswar. Its apt presentation enthralled children as well as the elders. ‘Jhada’ of ‘Sampark’ from Rourkela was the play of the concluding evening of the drama festival.
Courtesy: The Hindu
This week-long drama festival concluded on November 15 evening. All the seven plays enacted during the festival had packed house at its venue the Ganjam Kala Parishad auditorium. It was a non-competitive drama festival where prominent amateur theatre groups from different parts of the State enacted their best plays, which have won accolades in national level theatre festivals. Some of these plays were decades old and part of development of amateur theatre in Orissa.
Despite the odds like acoustics lacking and bad ventilation in the auditorium, audience filled it up every evening. Veteran theatre activist, Raju Padhi said the welcome sign was that more than 50 per cent of the audience was general public having no relation with stage activities. They had come over only to enjoy the plays. “They enjoyed the plays till the end which hints that despite speculations the live attraction for live theatre would continue in the minds of general public”, he said.
Swagatika Padhi, who came over to see three plays in this drama fest said one of the major reason behind its success was the professional management of the organisers. Usually the enactment of plays precedes elongated boring meetings comprising of long speeches. It delays the beginning of enactment of play. But in this drama festival the enactment of plays started sharp at 7.30 p.m. The meetings that preceded, were short and were attended by prominent personalities related to stage and cinema.
The variety of theme and format of plays was a major draw for the audience. The first two plays ‘Jeeara’ and ‘Baunsa Thenga re Swadhinata’ enacted by ‘Ka Kha Ga’ of Damanjodi and ‘Kala Parishad’ of Dhenkanal were plays based on human formations on stage. ‘Emiti bi Dine’ enacted by ‘Canmas’ of Paradip and ‘Kurukhyetra ra Thikana’ of Tulasi Cultural Association of Kendrapara were based on burning contemporary issues. The play of Casmas dealt with the topic of female foeticide and depicted a time when there would be dearth of women in the country. The other play was based on the corruption that continues in the name of social service. On Saturday a famous folklore of Orissa came alive in the play ‘Ati Achambita Katha’ enacted by three decades old organisation, Manan of Bhubaneswar. Its apt presentation enthralled children as well as the elders. ‘Jhada’ of ‘Sampark’ from Rourkela was the play of the concluding evening of the drama festival.
Courtesy: The Hindu
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